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“Who says only Bollywood songs are gold?!” – Gulzar

As Bollywood’s undisputed Poet Laureate moves from strength to strength, Monojit Lahiri recalls some amazing conversatio...

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Shifting Paradigms: Malayalam Cinema

Malayalam Cinema has evolved through time, writes Sulochana Ram Mohan. To use a cliché change has been the only constant in Malayalam ci...

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Kitu Gidwani: Distinctly Yours!

Aparajita Krishna flashbacks and forward with the life and times of Kitu Gidwani – an actor with, perhaps, the most well...

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What Bollywood can learn from Hollywood

Monojit Lahiri does a hard close-up at the changing attitudes of Hollywood stars toward Indie films and proposes that Bollywoo...

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Hinduism, not Hindutva, was Nehru’s idea of India

Let us not be in any illusion. Being complacent basis the belief that there’s any sensitivity left in the discourse would be wrong, write...

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A Life in Translation: Gita Krishnankutty

Gita Krishnankutty is a name inextricably intertwined with the history of Malayalam translations into English, writes Janaky Sreedharan...

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A Book of Tiny Flames

And each flame melting in its own heat, writes Janaky Sreedharan in her review of the book A Red-Necked Green Bird

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Sunil Shanbag: A Theatre Yatra!

Aparajita Krishna takes a deep dive into the life and theatre times of Sunil Shanbag and walks you through an interesting tell...

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Literary landmark in world fiction: Kabuliwala

Rinki Roy Bhattacharya spells out the significance of Rabindranath Tagore’s Kabuliwala today, in building compassion, to...

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Drishadvati: The daughter of Yayati

Read Janaky Sreedharan’s incisive view on Madhavi S Mahadevan’s Bride of the Forest